Physics Professor Jesse Berezovsky contends that until now, much of the thinking about math and music has been a top-down approach, applying mathematical ideas to existing musical compositions as a way of understanding already existing music. He contends he’s uncovering the ’emergent structures of musical harmony’ inherent in the art, just as order comes from disorder in the physical world. He believes that could mean a whole new way of looking at music of the past, present and future.
Phase transitions: The math behind the music
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